We work closely with our clients to provide the right solutions to meet their needs.



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Palace Cinemas

"The service provided by Hoyts CTG has become integral to our daily operations, no issue is too small or complex for the technicians to rectify. Considering the diversity of our venues and equipment, Hoyts CTG consistently strives to ensure we get the best possible solution with most efficient response time."
Lilly Ford

Head of Operations People & Performance


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Dendy Cinemas

Hoyts CTG have been Dendy Cinema’s technology partner for a number of years. They have assisted us with various design and install of projection systems, ongoing servicing and maintenance, and the day to day support of technical issues. As a leading provider of cinema technology and digital signage, Hoyts CTG are an integral business partner who help guide our strategic decisions to position our circuit at the forefront of innovation in the industry. What sets Hoyts CTG apart is their commitment to customer satisfaction. The support and service Dendy continues to receive from the CTG team is second to none. They have consistently gone above and beyond to ensure our needs are met promptly and efficiently. Hoyts CTG are a forward thinking, innovative and dependable technology partner who we highly recommend.
Sharon Strickland

Chief Executive Officer at Dendy Cinemas/Icon Film Distribution



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July 2023 saw Tom Cruise in Sydney for the Australian Premiere of Mission:Impossible Dead Reckoning Pt1 for Paramount Pictures at the ICC.

CTG was chosen as the technical partner for this event at one of Australia’s newest and best venues. We worked with Christie to provide a CP4435-RGB Real Laser projector, along with a CP2230 xenon for redundancy. Paired with Dolby IMS3000 playback servers the vision was nothing short of spectacular. The overall presentation was perfect and the entire event was a complete success, and a credit to Paramount Pictures and all involved.


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Australian International Movie Convention

Hoyts CTG is proud to have been involved with AIMC since 2013, and has been chosen to participate in all executions of the event at the STAR Gold Coast during that time. AIMC typically involves up to 700 pieces of encrypted content, all requiring specific periods of access across the weeklong event. That's a lot of KDMs! Made easy by CTG's KDM Krawler. CTG have operated this event with Peter Puchner for 6 years and have always delivered a flawless event.


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CTG is proud to have been chosen to supply the projection systems for the MIFF pop-up venues since 2012

"DCP is problematic for a film Festival. Particularly when up to 5 different DCPs are to be screened per day, every day for 18 days. This is more difficult when many of our venues are not permanently set up for DCP. So without an LMS content control and KDM management become major issues. HOYTS CTG assisted us in cutting though these issues by supplying totally reliable equipment, multiple servers that were networked and installing to full DCI requirements including auditorium tuning. They even offered a back up service which to date we have never had to use. This enabled us to run a 300 plus film festival program without any technical interruptions. Thank you, Hoyts!"

Richard Sowada
Head Of Film Program

The Event Department

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We can always rely on Hoyts to deliver a premium presentation in a non traditional venue. From abandoned churches to 2500 seat theatres, Dean and his team at Hoyts go above and beyond to deliver the best possible visual cinema experience for our guests. Hoyts are a trusted supplier that we can always count on. Natalie Butler, Director - The Event Department.



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In 2020 Soundfirm once again turned to Hoyts CTG to supply projection, screens and DCP playback for a new postproduction facility build in Sydney.

In response to Soundfirm’s exacting requirements, Hoyts CTG specified two Christie CP4415 RGB Laser projectors, Severtson screens and a Dolby IMS3000/CP950A for installation in a new Dolby Atmos mixing stage and a high-end colour grading suite. As each room was commissioned it was immediately set to work gaining positive feedback and critical acclaim from Soundfirm’s operators and clients alike.



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The Hoyts Cinema Technology Group were chosen by Australian Cinema for the Moving Image (ACMI) to install a TMS ARTS Alliance with 160TB to be able to store and manage large amounts of digital content for Events & Film Festivals.

As part of the installation both projectors were upgraded to state of the art Christie RGB projectors along with new Dolby IMS3000 servers. The Hoyts Cinema Technology Group proudly maintain and service their digital cinema systems now and into the future.


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Bean Bag Cinema

This cinema was built as part of the Royal Children's Hospital upgrade program in 2011. It was designed to provide a fun distraction for patients and families while at the hospital. All equipment was donated by Hoyts CTG technology partners and Hoyts CTG installed and continues to service these systems at no cost. The cinema is DCI compliant and plays latest release family features to an audience of up to 40 with 3D capabilities and 5.1 surround sound. It was such a great success that we proudly re-created a similar room at Monash Children's Hospital

Definition Studios

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CTG designed and installed a DCI compliant project system into multiple rooms at Definition Films, including Australia’s first ever RGB projector, the Christie CP42LH.

We have installed 4 rooms for David at Definition Studios, including the CP42LH at Disney Studios in Sydney and a CP44150-RGB in his new facility in Byron Bay. Complete with ATMOS audio, Definition Studios is a premium post production facility with a reputation for excellence.


Disney Studios Australia

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Formally Fox Studios Australia, Disney Studios Australia has long been Australia's home of film production.

For over a decade, HOYTS CTG has worked with the studio to develop and maintain world class screening rooms. Used for everything from viewing dailies to completed projects, these rooms have been integral part of the film production process for feature films either shot or in post on the lot.